#Best pro video camera 2015 update#
#Best pro video camera 2015 iso#
#Best pro video camera 2015 series#

I only use three white balance settings, Sun, Cloudy and K. I donвЂ™t likeВ having to faff about with white balanceВ in Lightroom, I like to get it right in camera. This is nearly spot on however I would like to be able to see and adjust the вЂKвЂ™ setting once highlighted in the Q menu from the front commandВ dial rather than have to assign the White Balance to the function 2 button.В The white balance is critical for me as it is one of the settings that gets savedВ to the RAW file and carried through to Lightroom. (IвЂ™m not sure the Macro function does anything anyway. This allows me to quickly move the focus point around. I have set all those selector buttons toВ FOCUS вЂ“ focus area.

The MacroВ function had to be moved here because it used to be switched on or offВ via the top button of the four selector/ function buttons arranged in a circle around the Menu/OK button. The fact that you canвЂ™t name the custom settings makes them unusable for me because IвЂ™d never remember what one does what. Then there is BASE I leave it alone because IвЂ™ve not had a reason to programme C1 вЂ“ C7 yet. When the camera is switched to AFs it is greyed out as shown here. IвЂ™ve parked Face Detection over on the left because at some point in my life I expect to need it and IвЂ™ve always struggled to find it in the main menu system. Here are my settings and why IвЂ™ve chosen them.

#Best pro video camera 2015 iso#

ThatвЂ™s what I like inВ my stills camera too as itВ allows meВ to accurately assess the image exposure while IвЂ™m setting shutter speed, ISO and aperture. Anyone who has shot raw video footage will know just how it looks prior to grading. The jpegs produced with my settings are somewhat flat or calm and are not always representative of my finished photograph. I have established the optimum camera jpeg settings to give me a viewfinder image that shows exactly what is recorded in the raw file. However I have adopted a completely different approach to settingВ up my viewfinder and LCD with my Fuji X system.

The image on the back of the camera was very different from that of the real world projected on the focussingВ screen in the viewfinder. This was punchy, vibrant with deep blacks and peaky whites. With SLRs I used to set up my LCD to mimic a simulated final processed image. There are several ways of shooting with digital cameras.

#Best pro video camera 2015 update#

Note: The new autofocus engine developed for the X-T10 is coming to the X-T1 via a major firmware update in June 2015В but as I always shoot in AFs mode this will haveВ no affect on my settings or on the wayВ that I use the camera.

#Best pro video camera 2015 series#

Several times eachВ day IвЂ™m asked about some aspect of the way I use my Fuji X series cameras via social media (Twitter: Instagram Facebook: damienlovegrove ) and now that the firmware has settled down for the X-T1 The time is rightВ toВ share my settings and more importantly my way of shooting with you. Here is how I set up my Fuji X-T1 to deliver wonderful pictures and a perfect shooting experience. I use it for shooting portraits, weddings and stock library submissions. ItвЂ™s the camera I use day in day out to make my living. The XC10 is a little more advanced, though.My trusty Fuji X-T1 has been my principal camera for the past 16 months and in that time it has travelled the world with me to Cambodia, Spain, Italy, Germany, Holland, Norway, Sweden, Hong Kong, and Japan. Its adjustable swiveling handgrip and unique body hearken back to retro jams such as the Sony Cybershot DSC-F828 and its predecessors. Sensor size isn't the only trait this hybrid video-and-photo machine shares with Sony's hardware. This time, that imager is baked into a body that looks like it should be comfortable to use when shooting both stills and video, and that's a rarity. It captures 4K video and 12-megapixel stills with its mechanical shutter and 1-inch-type sensor-the same size sensor found in Sony's RX100 cameras and AX100 4K camcorder. The company says the XC10 was built with roving journalists in mind. The new Canon XC10 ($2,500) splits the difference between a camcorder and a camera, although Canon is billing it primarily as a camcorder. Not this time, and it's nice to see that Canon can still bring the funk. But 99 times out of 100, Canon's design sense skews conservative. But the company has also thrown some interesting and super-weird models into the mix over the years: The tubular 35mm film Autoboy Jet, the submarine-themed PowerShot D10, and the buttonless and belt-buckle-sized PowerShot N among them. Most of Canon's camera designs are pretty straightforward.